The Artistic and Aesthetic Tone of Nasir Kazmi’s Ghazal

ناصر کاظمی کی غزل کا فنی رنگ وآہنگ

Authors

  • DR. ARSHAD MAHMOOD NASHAD Associate Professor, Chairperson, Department of Urdu, Allama Iqbal Open University, Islamabad, Pakistan

DOI:

https://doi.org/10.52015/daryaft.v18i01.450

Keywords:

Urdu Ghazal, Nasir Kazmi, Symbolism, Sorrow of Human, Lyrical forms, Emotional Aesthetic

Abstract

This article examines Nasir Kazmi’s ghazal, emphasizing its refinement and emotional depth in modern Urdu poetry. At a time when the ghazal faced challenges from modernist trends, Kazmi revitalized by blending classical tradition with contemporary sensibility. Influenced by Mir Taqi Mir, he developed a distinctive poetic voice marked by simplicity, musicality, and intensity. His poetry reflects themes of migration, loss, memory, loneliness, and existential longing shaped by displacement. Kazmi transforms personal and collective suffering into refined expression through restrained diction, evocative imagery, and symbolic richness. Rather than direct expression of grief, his ghazals achieve emotional resonance through lyrical balance and aesthetic control. The study highlights his creative use of traditional motifs and thematic coherence, expanding the expressive scope of the ghazal while preserving its classical essence. By harmonizing tradition and innovation, Nasir Kazmi ensured the relevance of the ghazal in modern Urdu literature and established himself as a leading poet

Conflict of Interest: The author declares that there are no conflicts of interest related to the research, authorship, and/or publication of this article, and that the data presented have not been fabricated or falsified.

Funding: This research did not receive any specific grant or financial support from public, commercial, or not-for profit funding agencies.

Participant Consent: The author confirms that Informed consent was obtained from all participants, and confidentiality was duly maintained.

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Author Biography

DR. ARSHAD MAHMOOD NASHAD, Associate Professor, Chairperson, Department of Urdu, Allama Iqbal Open University, Islamabad, Pakistan

Dr. Arshad Mahmood Nashad is an Associate Professor and Chairman of the Department of Urdu at Allama Iqbal Open University, Islamabad, Pakistan. He earned his PhD in Urdu from the University of the Punjab, Lahore, with specialization in Urdu Poetry, Research Methodology, and Textual Editing. A distinguished scholar, researcher, and critic, Dr. Nashad has made significant contributions to Urdu studies through his extensive academic work. His scholarly output includes more than fifty research articles published in reputable national and international journals, as well as thirty-six books on various aspects of Urdu language and literature. In recognition of his outstanding research contributions, he was awarded the First Research Prize by the Punjab Institute of Language, Art and Culture (PILAC) in 2021 and 2024.

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Published

30-06-2026

How to Cite

DR. ARSHAD MAHMOOD NASHAD. (2026). The Artistic and Aesthetic Tone of Nasir Kazmi’s Ghazal : ناصر کاظمی کی غزل کا فنی رنگ وآہنگ. DARYAFT, 18(01), 1–11. https://doi.org/10.52015/daryaft.v18i01.450